Arri Alexa, Quite simply unrivalled
Flexibility, power and economy. ALEXA is a compact, lightweight digital camera that will redefine the limits of digital motion picture capture with ultra-fast workflows and image quality akin to 35 mm film. From major motion pictures and high end dramas to commercials, music promos and mainstream television, ALEXA suits a wide variety of applications and budgets. More than just a camera, ALEXA represents an entire image pipeline. By combining proprietary ARRI technology with ubiquitous, best-of-class tools from industry-leading partners, ALEXA stands alone as the most complete and powerful digital production system ever built.
DSLR Canon FGV 7D Camera
Our Canon FGV 7D is modified to fit an ARRI PL lens mount. Sensor size perfectly matches the S-35 3PERF film format. You can use all 35mm PL Mount motion picture fixed focal or zoom lenses which will fit on an ARRI & Red.
Arriflex 416 Plus High Speed
The 416 Plus HS is the most versatile and advanced Super 16 camera in the world; an ideal choice for projects bound for either television or cinema screens.
RedOne
Matched with a 35mm PL lens mount, it allows you to take advantage of the world’s finest optics. Modular and upgradeable, the RED ONE™ camera is a future-proof acquisition system.
Arricam Studio
Innovative and modular 35 mm camera system which combines operating comfort and precision.
Arriflex 235
Small and lightweight 35mm MOS camera specially useful where size and weight are crucial.
Arriflex 435Xtreme
The most versatile, robust and powerful MOS camera The ARRIFLEX 435 Xtreme is the workhorse of the film industry.
Arriflex 16SR3 Advanced High Speed
The Arriflex 16SR3 High Speed Advanced is designed to meet all modern production requirements benefiting from the unsurpassed latitude of film.
P+S Mini35
Use 35mm film lenses on your digital video camcorder to achieve better images in HDV or MiniDV format.
Camera models: Panasonic 100, Panasonic 200, Canon XL1S, Sony Z1+F1, Sony PD170
Arri/Zeiss Ultraprime + Ultraprime LDS
Combining ARRI reliability with the legendary quality of Zeiss optics, ARRI’s 35mm Ultraprime lenses have become the standard for Film & Digital productions using the RedOne.
Cooke S4/i
Cinematographers choose Cooke S4/i lenses for the “Cooke Look” - a sharp, subtle, smooth rendering that provides dimensionality and high contrast, and pleases the eye.
ARRI Ultra16 Lenses
6, 8, 9.5, 12, 14, 18, 25, 35, 50mm @ T1.3 High speed, close focus lenses far surpasses any other 16 mm format lens range ever manufactured.
Angenieux Optimo 24-290mm
The undisputed leader in the field of cinema zoom lenses.
ARRI mechanical accessories
As the world‘s largest manufacturer of motion picture film cameras, ARRI has a wealth of experience in building high quality accessories.
ARRI Wireless Remote Control - WRC-2
Sporting an easily navigatable touchscreen user interface, the recently developed WRC-2 extends and simplifies wireless camera control options for the modern camera crew.
ARRI Wireless Focus + Iris + Zoom Unit WRS
ARRI’s Wireless Remote System (WRS), a sophisticated tool for wirelessly controlling lens and camera functions on set.
Cartoni fluid Heads
Sigma fluid head
Designed to support cameras weighing from 10 Kg (22 lbs) to 40 Kg (88 lbs) the Cartoni Sigma combines a wide range of counterbalance capabilities with an outstanding fluid damping system.
Lambda Nodal Swing Head
The Lambda is a Nodal Swing Head ideally suited for 35mm film cameras fully equipped with long lenses, mattebox and extra large film magazines.
Raptor Digital Video Assist
The Raptor model 50VA has become the new standard for commercial video assist operators.
Titan Wireless System
The first multi-directional Microwave Wireless Transmitter & receiver system. Titan™ is ideal for all Body-rig operators ; the signal remains stable even both the Transmitter and the receiver are in motion.